Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.
While the film, based on David Grann‘s novel, has received widespread critical acclaim for its storytelling and technical achievements, many members of the indigenous community, including Devery, have objected to its portrayal of Osage people.
The 30-year-old Canadian actress who starred in Hulu’s hit series Reservation Dogs, took to X, formerly known as Twitter, to express her displeasure with Killers of the Flower Moon‘s excessive violence and one-dimensional portrait of indigenous people.
Keep reading to find out more…
Devery began, “I HAVE THOUGHTS. I HAVE STRONG FEELINGS. This film was painful, grueling, unrelenting and unnecessarily graphic.”
She continued, “Being Native, watching this movie was f***ing hellfire. Imagine the worst atrocities committed against yr ancestors, then having to sit thru a movie explicitly filled w/ them, w/ the only respite being 30min long scenes of murderous white guys talking about/planning the killings.”
Devery praised Lily Gladstone‘s performance and Martin‘s technical direction, but criticized how the film’s “painfully underwritten” Osage characters took a backseat to white men who were “given way more courtesy and depth.”
She added, “I don’t feel that these very real people were shown honor or dignity in the horrific portrayal of their deaths. Contrarily, I believe that by showing more murdered Native women on screen, it normalizes the violence committed against us and further dehumanizes our people.”
The actress acknowledged the Osage community members involved in the film and reflected on “how cathartic it is to have these stories and histories finally acknowledged, especially on such a prestigious platform like this film.”
Devery then emphasized that she would have rather seen an Osage filmmaker take on the project and pointed out that Killers of the Flower Moon exemplifies “the issue when non-Native directors are given the liberty to tell our stories; they center the white perspective and focus on Native people’s pain.”
In addition to the movie itself, Devery took issue to its reception from filmgoers, many of whom have applauded Martin‘s screenplay.
“And to top it off; to see the way that film nerds are celebrating and eating this shit up? It makes my stomach hurt,” she wrote. “I can’t believe it needs to be said, but Indig ppl exist beyond our grief, trauma & atrocities. Our pride for being Native, our languages, cultures, joy & love are way more interesting & humanizing than showing the horrors white men inflicted on us.”
She concluded, “All in all, after 100 years of the way Indigenous communities have been portrayed in film, is this really the representation we needed?”
Find out if Killers of the Flower Moon has an end credits scene.
Read Devery Jacobs’ full thread below…
I HAVE THOUGHTS. I HAVE STRONG FEELINGS.
This film was painful, grueling, unrelenting and unnecessarily graphic.
A thread. 🧵 pic.twitter.com/THxucE9TkZ
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
Being Native, watching this movie was fucking hellfire. Imagine the worst atrocities committed against yr ancestors, then having to sit thru a movie explicitly filled w/ them, w/ the only respite being 30min long scenes of murderous white guys talking about/planning the killings
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
It must be noted that Lily Gladstone is a an absolute legend & carried Mollie w/ tremendous grace. All the incredible Indigenous actors were the only redeeming factors of this film. Give Lily her goddamn Oscar.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
But while all of the performances were strong, if you look proportionally, each of the Osage characters felt painfully underwritten, while the white men were given way more courtesy and depth.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
Now, I can understand that Martin Scorsese’s technical direction is compelling & seeing $200mil on screen is a sight to behold. I get the goal of this violence is to add brutal shock value that forces people to understand the real horrors that happened to this community, BUT—
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
I don’t feel that these very real people were shown honor or dignity in the horrific portrayal of their deaths.
Contrarily, I believe that by showing more murdered Native women on screen, it normalizes the violence committed against us and further dehumanizes our people.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
(And to top it off; to see the way that film nerds are celebrating and eating this shit up? It makes my stomach hurt.)
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
I can’t believe it needs to be said, but Indig ppl exist beyond our grief, trauma & atrocities. Our pride for being Native, our languages, cultures, joy & love are way more interesting & humanizing than showing the horrors white men inflicted on us.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
This is the issue when non-Native directors are given the liberty to tell our stories; they center the white perspective and focus on Native people’s pain.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
For the Osage communities involved in creating this film; I can imagine how cathartic it is to have these stories and histories finally acknowledged, especially on such a prestigious platform like this film. There was beautiful work done by so many Wazhazhe on this film.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
But admittedly, I would prefer to see a $200 million movie from an Osage filmmaker telling this history, any day of the week.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
—and I’m sorry, but Scorsese choosing to end on a shot of Ilonshka dances and drumming? It doesn’t absolve the film from painting Native folks as helpless victims without agency.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
RIP to Mollie, Anna, Minnie, Rita, & all the other very real Osage folks who were murdered over greed. Tobacco down for the countless Osage folks today, whose family histories have been marked by these atrocities. The pain is real & isn’t limited to the film’s 3hrs and 26 mins.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
And a massive Fuck You to the real life, white Oklahomans, who still carry and benefit from these blood-stained headrights.
— Devery Jacobs (@kdeveryjacobs) October 23, 2023
All in all, after 100 years of the way Indigenous communities have been portrayed in film, is this really the representation we needed? #KillersOfTheFlowerMoon
— Devery Jacobs (@kdeveryjacobs) October 23, 2023