When you hear what We Are Little Zombies is about, the concept that it could have more than a little bit of influence from the world of video-games may come as a shock. After all, the story of a quartet of kids bonding over the mutual loss of their par…
Director Aaron Schneider takes his time when choosing a project. As you’ll hear him detail in our interview today, he’s consistently passed up work that he couldn’t get excited for. After moving from cinematography to directing, he wo…
Contained horror has an added bit of resonance right now. After all, many of us are still essentially stuck in our homes. Moreover, eco-horror is rather under-explored as a sub-genre of fright flicks. So, The Beach House enters with a few things in its…
It’s hard not to appreciate the dedication and passion that Glen Ballard put into bringing The Eddy to life. A six-time Grammy Award winner, Ballard has made it his business to get this challenging and rewarding show before audiences. Along with …
The high concept romantic comedy seems to be a thing of the past. Whether it has to do with the cost of producing one, audience tastes, or just the changing of the times, a rom-com that mixes in something else tends to be rare. At least on the independ…
Few composers in Hollywood are as busy as Brian Tyler is. Whether it’s film, television, or even video games, there’s always some form of media with Tyler’s music in it about to hit. Even right now, as the COVID-19 pandemic keeps the …
Elevated horror is all the rage these days. The genre goes through phases, to put it mildly. There’s always a new flavor for what audiences want to be scared by, whether it was slasher films, torture porn, J horror, or whatnot. Currently, the ren…
Just a few days ago, I pondered this very question. In light of Hamilton debuting to such huge acclaim (no surprise), thoughts of Oscar began dancing around folks’ heads. However, the question of whether it was eligible remained. Many, like mysel…
Whether it’s superhero flicks like Aquaman or Wonder Woman, Adam Sandler projects, or prestige television fare like Catherine the Great, the work of composer Rupert Gregson-Williams is always rock solid and completely appropriate for the project….